Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts

Tuesday, October 20, 2015

Crimson Peak (2015)


Sometimes it's easy to figure out why you don't like a movie. I often don't like lazy characterization or a lack of female characters. When I didn't like Black Mass last month, I didn't like it because the centre didn't hold. It didn't make sense to me that anyone -- anyone at all in that movie -- would be loyal to a guy like Jimmy. Despite excellent performances across the board, Johnny Depp wasn't as magnetic or as menacing as he needed to be to develop the kind of over-the-top loyalty that, say, John Connolly (Joel Edgerton) displayed. And, if you can't buy that, what can you buy about the rest of the movie? (Benedict Cumberbatch making eggs, as it turns out).

But not liking Crimson Peak ... that's been a little harder to put my finger on. 

I didn't like Guillermo del Toro's last outing, either. Of course, I don't remember all the much about Pacific Rim or why I didn't like it. The only thing that really stands out to me two years on is that all the fight scenes took place at night in the rain, and I couldn't tell the aliens and the humans apart. We kept cutting back to the boring people (so boring) swooping their arms around in the Jaegers, and I was like, "My kingdom for a daylight fight!" 

My initial reaction was to label Crimson Peak as shallow. Everyone's motivations are on the surface, and it takes nanoseconds to figure out what's "really" going on (hint: exactly what you think). 

I started to compare it to The Woman in Black in my mind (a movie which starred Daniel Radcliffe's sad eyes and some shadows), and then I realized what I really didn't like about Crimson Peak: it's not a haunted house movie.

Bear with me because I know that sounds like a YP. BUT! The movie's called Crimson Peak and the ghosts are all like, "Beware of Crimson Peak", and Tom Hiddleston warns that the house "starts holding onto things... keeping them alive when they shouldn't be", so you'd think that the very place presents a clear and present danger. 

I am here to tell you: it does not. 

Sure, there are ghosts, but they aren't even malevolent ghosts. Despite being black or bloody skeletons whose clothes go up in evaporating wisps (make no mistake - this movie looks wicked cool), those ghosts are simply trying to save Mia Wasikowska from getting her silly self murdered. Which makes them Caspar's creepy cousins. 

So even though the house is -- and again this is visually stunning -- oozing blood from the walls, the house is actually just a house. Jessica Chastain is a crazy killer, and Tom Hiddleston is her somewhat unwilling accomplice, and there you go. Run away, Mia! Run away!

Here's what I imagined, though: that Jessica Chastain and Tom Hiddleston were, in fact, centuries-old supernatural beings that are kept alive by ritually sacrificing young girls to their spooky demon house. But with the advent of, I don't know, modern detection, it's getting harder and harder to marry ladies, take them away, and kill them every couple of years. Jessica Chastain thinks they should just keep going, Louise, but Tom Hiddleston -- 'cause he actually likes Mia Wasikowska -- thinks they should just throw in the towel. Mia, however, has other plans (agency!). She's been having encounters with ghosts her entire life, and she is not about to leave these poor tormented souls trapped in this hell house. She's going to put them to rest!

Not to get all choose your own adventure (although they do, briefly, discuss choose your own adventure books), but that five minute treatment I just dreamed up is easily more entertaining that the movie I saw. 

Fun alternative: Hiddleston is so anemic looking in this movie that you can pretend he's still Adam from Only Lovers Left Alive and is mere seconds away from biting these ladies, then writing an opera about it.   

Dare to dream, self. Dare to dream.

UPDATE: I just realized that, like the story Edith is initially peddling, this isn't a ghost story, but a story that happens to have ghosts. Nicely done, del Toro, but also no.

Wednesday, September 04, 2013

The Mortal Instruments: City of Bones (2013)

Jamie Campbell Bower and Lily Collins
© 2013 Constantin Film International GmbH and Unique Features (TMI) Inc.
There are two ways of looking at the latest YA would-be blockbuster adaptation: as a perfectly ordinary teen fantasy flick or as a truly dispiriting adaptation of one of the best kitchen sink fantasy series I've come across in a long time.

To be honest, I don't really want to get into the perfectly ordinary part of this convo. Aside from some super smart casting (I pretty much loved everyone in their roles, though Robert Sheehan as Simon is the standout), the movie starts to lose steam somewhere around Magnus' party and never really picks back up. The Mortal Cup becomes more and more of a MacGuffin (why do the vampires want it? And why would they kidnap Simon to get it?), so, by the time Jonathan Rhys Meyers and his insane hair/clothes/face come out of the puddle in the wall, you're just sort of over it.

I've been trying to puzzle out exactly what went wrong with this adaptation beyond the aforementioned Meyers and the completely baffling decision to reinvent his character from the ground up. I think I've finally put my finger on it: the movie pulls the book's punches.

[In honour of the return of Extra Hot Great!, spoilers ahead, fun ahoy!]

There's nothing more important than Valentine being Jace's dad. Not just as a reason to keep Jace and Clary apart (that's sort of secondary). It's that Jace's entire emotional arc over the course of all five of these novels is keyed into that one point. How he was raised and what that means for him -- the dichotomy between the man he was raised to be and the man he wants to be, and, yes, what that means for him and Clary, is tied up in one simple idea: Valentine as Jace's dad. Not as a trick suggested by Hodge (to what end?) or some sort of mental jiu-jitsu on Valentine's part. To look at the man who raised you and to realize what he is and to have to make difficult choices based not on pleasing him but on your own heart, that's the essence of growing up. And you can't really have a YA series where no one grows up.

The rest of it, I can sort of understand. Seraph blades are essentially angelic lightsabers. Bringing Alec and Isabelle to the Hotel Dumort allows for an action set-piece in the middle of the movie for the entire cast. Telling Luke's entire backstory would take forever (though the net result is that Luke ends up looking like a Jacobian interloper instead of a crucial component of Clary and Jocelyn's lives). Showing Jocelyn fighting and taking the potion serves the twin purposes of giving you a reason to care about her and justifying hiring Lena Headey for the role.

Of course, doing all that undoes the twin slaps of finding out that Jocelyn did this to herself and that she never wanted Clary to know anything about it. She's softened up, so Clary can have her cry at the end and tell her unconscious mom that she forgives her. Valentine's softened up from killing his whole family to maybe killing only two people. Hodge stays and fights (and dies?) instead of running the first chance he gets. Alec almost dies saving Clary's life instead of trying to impress Jace. So, while we're at it, why not let Clary keep the Mortal Cup instead of losing it to Valentine?

If you are going to mess something up, why not really, really mess it up?

Which brings me back to Valentine. If you are looking for a modern equivalent of the Valentine Morgenstern of the books, look no further than Vladimir Putin. He draws you in with a great deal personal charm and charisma, and you think it's so funny with his vigorous torso and bear staring. And then he starts taking away people's rights, and you realize he's a monster. Always has been, always will be. That's Valentine. Buttoned up cruelty. Not, you know, this:


The sad thing is that this movie is dying at the box office, which means it probably won't get the same chance The Hunger Games got to course correct. I was supposed to wrote a book vs film for that one, and I never quite got around to it. It wasn't even until the third time I saw the movie that I finally got what I didn't like about it: good is the enemy of great. Chasing a family friendly rating chases the greatness right out of that novel. You have to feel each death. What's more, you have to feel the way the entire system is rigged from start to finish, not just in the arena, but in every single district. The way Katniss wants to ask the rare senior in 12 how they managed to live so long. The way Rue describes how hard they work and how little they get in return, but at least they have music. It's all arenas all the way down.

I still don't think Mortal Instruments is as good, but it's still better than Twilight and that pile had hundreds of chances. Is it so wrong that I just want a chance to see the development of Jace, the greatest Shadowhunter the world has ever known? Jamie Campbell Bower's hair looks like it smells and his wardrobe is deplorable, but he does interesting things with his fingers that catch my attention despite myself. He deserves his chance to do a swan dive off the balcony instead of stupid faux-Valentine and his wet leather pants.

Besides, don't you want to see Clary tear that ship apart?

Sunday, January 09, 2011

Pop Culture Round Up: Some date to some later time

I don't know, I just found this here.

Sound and fury | The Australian

Why Roger Ebert Loathes Top 10 Film Lists - WSJ.com

CBC News - Music - Lady Gaga course coming to U.S university

Brow Beat : Don Draper Says, “What?” I Say, “Is Jon Hamm a Good Actor?”

How Back to the Future made incest fun for the whole family. - By Juliet Lapidos - Slate Magazine

Zapping the Brain Improves Math Skills : Discovery News

Norway Tops Nations in Quality of Life : Discovery News

CBC News - Film - Depp, Burton team up for Dark Shadows film

Art believed destroyed by Nazis found in Berlin - Yahoo! News

Move to rescue obscure words | Books | The Guardian

Fly, Ryan Murphy! Be Free! | The House Next Door

Half the Time Everyone's Thinking About Something Else | Smart Journalism. Real Solutions. Miller-McCune.

Prolific humour writer nominated for lit award - The Globe and Mail

Why Beckham, Aniston, Winslet and A-Rod Earn So Much - WSJ.com

How Hollywood killed the movie stunt - Film Salon - Salon.com

Spillcam, vuvuzela are top words of 2010

2010's Word of the Year: 'Refudiate'

Why Flops Are Vital to Cinema

Why Hollywood Doesn't Do Working-Class

Study Tracks How Online Comments Spread News

Philip Glass Writing a Second Kafka Opera

Are Women Artists Finally Getting Their Due?

How Stunt-Casting Jumped the Shark -- New York Magazine

Producers Forbidden to Use Adrien Brody's Image to Promote Movie He Stars In

Party Lines: Vampires Paul Wesley and Denis O’Hare Swap Fan-Biting Stories at Elling Premiere -- Vulture

Friday, September 03, 2010

Pop Culture Round Up: August 20 - September 3, 2010

CBC News - Media - BBC's Gosling charged over mercy killing story

DVRs shaking up movie marketing

Discovery of ancient cave paintings in Petra stuns art scholars | Science | The Observer

Eye wired open

An Airline Magazine That Makes Travelers Want to Pull the Rip Cord - WSJ.com

The Medium - What ‘Fact-Checking’ Means Online - NYTimes.com

Vampires bring $7 bil to Hollywood economy

Eternal Fascinations with the End: Why We're Suckers for Stories of Our Own Demise: Scientific American

Teary-Eyed Evolution: Crying Serves A Purpose : NPR

Does Peter Parker Have a Moral Responsibility to Be Spider-Man? | Big Questions Online

Exclusive First Look: 'Gossip Girl' season 4 trailer! | Ausiello | EW.com

CBC News - Music - Early unreleased Dylan songs in new album

Bering in Mind: Polyamory chic, gay jealousy and the evolution of a broken heart

The Smart Set: Lady Trouble - Chicago was once full of killer broads.

CBC News - Film - John Cusack plays Poe in movie thriller

9GAG - 35 Life Hacks You Should Know

Bob Dylan's No-Ticket Show No Sell-Out : SFGate: Culture Blog!

Phys Ed: Playing Music During Exercise - NYTimes.com

Plato's Pop Culture Problem, and Ours - NYTimes.com

Joseph Conrad's Heart of Darkness published as a graphic novel | Books | The Guardian

Pawan Kalyan to star in Bollywood film of Christ's life | Film | The Guardian

The Online State of Nature | Big Questions Online

The Black Panthers: The soul survivors - Features, Music - The Independent

Book Review: The Oxford Book of Parodies - WSJ.com

Does a book's popularity guarantee its movie's success? - chicagotribune.com

Friday, July 16, 2010

The Sorcerer's Apprentice (2010)

It's obvious Disney wants to turn The Sorcerer's Apprentice into their next Pirates of the Caribbean or at least the next National Treasure, but I don't think that's going to work. I've been trying to pinpoint why. The Sorcerer's Apprentice is no Pirates, but surely Nicholas Cage and director Jon Turtletaub could create another Treasure, right?

Bear in mind that I realize that this is Disney we're talking about here, but I think the problem is that there are no stakes. The Chosen One is a story that's been done to death, but, as far as magic goes, the Chosen One is owned by Harry Potter at this point in the cultural lexicon. Those books, and by consequence the movies, grew with their readers: they got progressively darker as Harry (and the reader) got older. So to drop us into a story where the Boy Wizard Sorcerer is 20 and to at no point give us any reason to think his life might be imperiled by the ones who want him dead is a misstep. Sure, Max (Alfred Molina) keeps saying that he's going to kill Dave (Jay Baruchel), but, when presented with a prime opportunity, he doesn't even try! Doesn't even knock him unconscious. Pull it together, villains.

And while we're talking villains, can someone please explain to me the value in ending the world? Remember way back in the glorious second season of Buffy, when Spike allied with Buffy over Angelus mostly to get Dru back but partly because he didn't see the appeal of ending the world anyway? I always think of that little speech ("like Happy Meals with legs") whenever villains want to end the world in movies and on TV because then you die, too, moron. Unless that's the point, in which case kill yourself and save us the trouble. Selfish. Anyway, it's later clarified that the world "as we know it" will end, which is another thing entirely. I can see why you'd want to do something about that.

But I digress. So here are these characters, locked in mortal combat for over a millennium, waiting to find the Prime Merlinian, so they can release Morgana Le Fey (bully for Max), so Dave can kill her (bully for Balthazar (Cage)). Even when your outcome is a foregone conclusion, you can still build some suspense. But all the suspense I felt was of the tying the plot elements together variety: "I wonder how the Tesla coils will fit into this." "Oh, there we go." Did I wonder if Dave would accept his destiny and live up to his potential? Of course not. And not just 'cause it was a movie. Because it was a deliberately lighthearted movie. I've seen Baruchel in some dark places before (Just Buried), so I'm sure he can bring it. The movie didn't want to go there, so none of the actors did either.

That's not so bad, I suppose. It certainly means a less hammy Cage than you might expect. If anything, he and Molina are having a helluva time being just hammy enough. Despite the lack of pathos, Baruchel is still charming and a comic find. Plus you've got Toby Kebbell up in there (between this and Prince of Persia, I'm starting to wonder if he's got a three picture deal at Disney) poking hilarious fun at Criss Angel (just like that great episode of Supernatural!), so it's a good time. A fluffy, frothy, fitfully fun good time.

I don't know. It's like the Fantasia sequence: it feels like it was just dropped in the middle with no thought about how to properly integrate it into the story. It doesn't suit the character (a guy who has little confidence in his magic suddenly opts for a big spell?), and it involves a comical amount of mops and brooms (didn't they replicate themselves in the original? Okay, after Mickey splintered the first broom). Instead of wondering how this will end or laughing at the dedicated cleaning crew, I was baffled by the sheer abundance of mops and brooms. Why would an unauthorized lab space in an abandoned subway roundabout have all these cleaning supplies? Did Dave put them there? See?! These are the wrong things to be thinking about. But there's no tension or suspense to stop my mind from spinning. C+

Also, maybe screenwriters and the world and I should have a little talk about how we could have tweaked the Becky (Teresa Palmer) plotline a little so it came across as more of a "what if?" thing instead of a creepy, weird thing. Not that it's played it that way, but that's what you would think if some dude thought of a grade school crush as the One That Got Away. Also, why is Becky a freshman? SEE?!

Pop Culture Round Up: July 10 - 16, 2010

Breaking Dawn to film in B.C., Baton Rouge

The Creativity Crisis

Much ado about women: Modern-day reading or distortion?

Too Hollyweird for Hollywood? David Lynch asks fans to help fund his movies

EXCLUSIVE: Marvel confirms they will hire new Hulk for The Avengers
May I suggest Eric Bana?

Bella and Edward Who? Real-Estate Tycoon Deconstructs Twilight
This is amazing.

Discovering Canada's cool capital

Court rules against FCC policies on indecency

The story of pink

The bookcase you'll want to live in Historians locate King Arthur's Round Table

Mark Ruffalo In Late-Stage Talks To Be Marvel’s New Hulk in ‘The Avengers’
The Buffalo!

HBO Picks Up Dustin Hoffman Drama

Vulture’s Choose-Your-Own-Adventure Type Guide to Casting Sensitive Geeks
Quick, guess which one I got on the first try!

Tales from New Orleans
There's a larger thing brewing in me about about literature and New Orleans and Treme and feminism, but we're not quite there yet.

Jay Baruchel to get ACTRA award

Colonoscopy: It’s Time to Check Your Colons
The punctuation mark which I am addicted to. It used to be semi-colons.

How Caravaggio saw in the dark

William Faulkner Goes Online, 50 Years Later

The Smart Set: I Like Candy
I had no idea you could use the word "existential" and its permutations so many times in an article about rediscovering candy in middle age.

The Smart Set: Theater of the Completely Normal

Thursday, July 08, 2010

The Twilight Saga: Eclipse (2010)

I put nearly every thought I ever had about the story on the table in Book vs. Film: Eclipse, so I've decided not to go for anything in the way of a review here but just collect my stray observations instead.

Stray observations:
  • Xavier Samuel as Riley might be the hottest vampire we've seen in the series. It's not that the others couldn't be hot (the actors underneath are); it's just that the movies seem committed to styling them in the least attractive way possible.

  • He's also quite charismatic! Too bad Riley's a one book wonder.

  • Remind me again why they replaced Rachelle Lefevre with Bryce Dallas Howard? I was previously under the impression that Howard had at least some acting ability. Does she just not get the character? Whatever, she's dead now (Victoria, that is).

  • Oh, sweet fancy Moses, some one save me from all these close ups. I can't imagine what that was like in IMAX. OME! girls must have been thrilled.

  • Intentional jokes! Billy Banks! Two great tastes that taste great together.

  • What is with Von Pattinson's sideburns? Were they always this out of control?

  • His eyelashes, on the other hand, are fabulous. I want that mascara.

  • I've forgotten her name and IMDb doesn't list it, but the wigmaster is this movie's MVP. Bella's hair looks so lush and shiny!

  • Has Nikki Reed lost 20 pounds or so? Not that I thought that she needed to lose the weight (because she didn't), but she looks decidedly thinner, particularly in the face, this time around. She looks good either way, just something I noticed.

  • I think Kristen Stewart might have been a little worse this time around. I did not think she was all that concerned with Jacob going off to die. If Von Pattinson's default setting is "pained," then her's is "forgot how to breathe." I sort of think I like her as an actress, though, so I hope she pulls it together.

  • Taylor Lautner's a sweet kid, but things I would not put him in charge of include wishing people were dead, threatening people with suicide, and use of the word "bro" (c.f. Humphrey, Dan).

  • Man alive is Julia Jones (Leah) beautiful when she's not so angry. Which is exactly how Stephenie Meyer described her. Casting coup!

  • Why are these olde tyme vampires so ugly?

  • Em pointed out that Jackson Rathbone appears to be playing Nicholas Cage in Con Air and to a certain extent that's true, but there were also moments when genuine emotion broke through instead of ham mixed up with the accent, which makes me kind of sad for him over all. Also, why does he have different hair every time? And why are his contacts the exact same colour as his hair? He looks extra freaky!

  • While I appreciated the attention to detail of giving the Cullens dark contacts at certain points in the movie to show that they need to hunt (and I'm pretty sure that these lined up with the novel), did anyone else find their golden eyes freaky this time around? Actually, you'd think that would be something the other students would gossip about: how come everyone in this adopted family has the exact same (non-human?) eye colour? You'd think some Cullens would wear contacts to blend in/mix it up.

  • I bet Justin Chon's glad he showed up for his one line.

  • When Carlisle and Billy shook hands, I was reminded of the time I was talking about Twilight the Movie with a co-worker, and she said that she thought that the adults' performances were better than the teens'. I started to say something like, "Well, of course, they're all better actors," but I ended up just confessing that I would totally watch a spin-off show about the dads. Picture it! Dr. Acula, Sheriff Swan, and wheelchair-bound Quileute Chief Billy Black? Admit it, that sounds totally cool.

  • Re: the tent scene. Everyone was thinking, "Kiss! Kiss!" right? What is with these movies and how easy they make it to root for non-Bella and Edward coupling?

  • I like how they left in imprinting but cut out the precedent-setting Quil-imprints-on-a-two-year-old stuff. Probably for the best.

  • Or how pretty much everyone but Jacob imprints.

  • Or how Edward likes to invade their wolf-base hive mind.

  • Which later bites him in the ass when they all feel the pain of Jacob's attack.

  • Ha.

  • The Cullens wear matching outfits in the scene where they first try to catch Victoria. Oh goodness. Way to emphasize the fact that they are a cult.

  • Seriously, what was the point of hiring Howard Shore? I'm not a huge Shore fan, but he's definitely done some cool stuff while working with David Cronenberg. They really need to get Carter Burwell back.

  • I wasn't even much of a fan of Bella's lullaby, but now I kind of miss it. It's one of the two repeated elements in the books that pretty much doesn't exist in the movie (Edward's favouring of blue on Bella is the other).

  • The soundtrack's a little better than New Moon but still not as rad as Twilight.

  • How come no more Von Pattinson on either, come to think of it?

  • I like how Seattle's vampire army wears a lot of flannel.

  • Actually, there's a lot of plaid in this movie. What's with Bella and plaid?

  • Dakota Fanning is good as Jane, but I miss Aro. Michael Sheen rocks.

  • When the Cullens were just standing around waiting for the newborn army (seriously, they just stand there, I believe in matching outfits again), I wondered why they can't get poor Emmett a jacket that fits.

  • Von Pattinson's chest hair is still in place. Check that chest hair on Peter Facinelli! And one of the other ones (Jackson Rathbone, I think)! The Cullen men are working it.

  • Edward's graduation party outfit struck me as perfect. Actually, it was really only Alice who looked oddly dressed at that party, which is the exact opposite of how Alice should look.

  • I sometimes forget that Edward, and all the vampires really, should look freaky and non-human in comparison to the rest of the cast, but I saw it here a few times in a good, not obviously undead way.

  • I hate narration, so I'm glad they barely used, but it's even more distracting when used so sporadically. It sounds like something you keep forgetting to do and then suddenly throw in to say, "Oh, yeah! Narration!"
That's all I can think of right now, but I reserve the right to add more observations as they come back to me. Massive improvement over New Moon. Probably the best in the series. B

And if you're in need: A Guide to Recognizing Your Vampires

Friday, June 18, 2010

Pop Culture Round Up: June 12 - 18

Ozzy Osbourne writes health column

The Dictionary of American Regional English to Be Finished—Maybe Next Year

Strike a Pose - The Function and Fiction of Punk

Movie futures trading wins regulatory approval

Writing categories perplex Emmys

'Treme': A Shouting Match
Hilarious.

With Sequels and Reboots Failing, Hollywood (Finally) Puts Out a Desperate Call for Original Material

Hitchcock's Psycho at 50, the Sounds of Violence

Antiheroes play by their own rules

Contested Will Looks at the Nuts Who Think Shakespeare Didn't Write Shakespeare

The B-movie prophet

Twilight' screenwriter Melissa Rosenberg talks Kristen Stewart, Bill Condon and Breaking Dawn

All the Dead Are Vampires

Damien Hirst in line to open his first gallery in Hyde Park

Pick up just about any novel and you'll find the phrase "somewhere a dog barked."
You'll never not notice this again.

Love Songs Linked to Receptiveness to Romance

Halifax fire bosses sue online critics

How Jaws taught Hollywood to make a killing

Battle Raging Over Age Listings on IMDb

"Saneman" - In Scott Pilgrim vs. the World, Michael Cera is the ultimate Canadian superhero

"The Long Decline" - Canada used to have a vibrant critical culture. What happened?

Snoop Dogg Professes His Love for Sookie Stackhouse
Snoop is just . . . it's hard not to love Snoop. He's going to buy Sookie a gin and juice down at Merlotte's.

Zach Gilford on Returning to Friday Night Lights and Making Us All Cry

How has the culture of TV (and TV-watching) changed? | Crosstalk

Friday, April 23, 2010

Pop Culture Round Up: April 2 - 23

This is what happens when you forget to post these things. Hold on to your hats.

Hollywood stars to film in Ottawa

Anna Paquin declaration causes site to crash

Host of books appear as angels become theme of new teenage reading cult
  • Are they inspired by Castiel? Because I can see that.
Branding Deals Come Early in the Filmmaking Process

NBC Shows Send Signals to Recycle, Exercise and Eat Right

Bering in Mind: Scientists say free will probably doesn't exist, but urge: "Don't stop believing!"
  • Hold on to that feel-en-i-en! Oh, how could any one resist?

'Breaking Dawn': 'Dreamgirls' director Bill Condon is the first choice for the last two 'Twilight' films

Tracy Morgan Gets Emotional When Asked About Tina Fey

Home Library Key to Academic Success

Twitter chatter may predict movie box office
  • We're doomed.
It's time for Hollywood to see past the coming attraction of sequels

Are newspaper critics old hat amid the flood of online critics?

Why did 'Date Night's' Tina Fey and Steve Carell go from great TV to a bad movie?
Age gap between men and women on TV is closing, research finds

We Predict the Timeline of the Inevitable Glee Backlash

10 Famous Movie Quotes In Graph Form [PIC]

Love sees Gosling or McAvoy as Cobain

5 Reasons 3D TV Won't Take Off
  • Good because I don't want to puke in my living room.
Lovers, Not Victims

Blinded by jealousy?

Brad Bourland, Grocer With a 10,000-Top-Movie List

Dear TV Theme Music: What's Become Of You?

Death, Italian Style - Best Sendoffs

Movie critics: Shut up already!

Movie theaters turn to live event screenings to fill seats

The Food Network Expands With the Cooking Channel
  • Not a joke.
Museums Take Their Lessons to the Schools

Leave it to Turkish soap operas to conquer hearts and mindsin the Arab world
  • Of course! Who doesn't love the cheese of a good soap opera, which I am going to go ahead an assume is universal.
A New PETA Ad Will Feature the Late Bea Arthur

Thursday, April 01, 2010

Tuesday, March 23, 2010

"If there is one thing the history of evolution has taught us, it's that life will not be contained."

Just like life and twice as large, Clancy Mother*uckin' Brown's performance in Highlander will not be contained, which is why it's the subject of my latest Culture article.

While you're there, don't forget to check out the Culture blog, which has replaced TV Thursdays (remember those?) in that I now recap half a dozen shows (including the currently airing Gossip Girl, Vampire Diaries, and Supernatural) in addition to whatever else I get around to blogging about. Try it; you'll like it.

Friday, March 05, 2010

Pop Culture Round Up: February 27 - March 5, 2010

Film - Women on the sidelines

Oscar alternative: The beauty of bad movies

Josh Schwartz Gives Us a Preview of the New Gossip Girl Episodes

Lady Gaga and Miss Piggy May Be One

Harlequin Titles Reveal Audience's Desires

Bringing New Understanding to the Director’s Cut

China's Only Independent Dance Company Led By Country's First Transsexual

Vampire Diaries: Why It's One of TV's Most Addictive Shows

Inside the Singular Hysteria of the Brutal Academy Awards Race

The Short Take: Neglect 2009 - Part V

Only four movies left. I think I just overheard someone recommend 2012.

Jennifer's Body (2009)

It's Jacob's favourite movie of the year, and you can actually see the Jacob-reality disconnect when you watch it. The ideas underneath are as powerful a statement as you can imagine about the nature of feminism and the role of sex in trying to present woman as person. Despite what others may tell you, Megan Fox is actually kind of awesome (or at least awfsome) in the this movie. She's well suited to the role, and she brings a lot of energy to it. So it's too bad that a) someone wants me to believe that Amanda Seyfried is plain and b) this movie does not have the courage of its convictions. The opening narration makes a stronger point than anything follows in the movie. At least Kyle Gallner continues to be amazing. Too bad he only seems to be in horror movies lately. D

Fame (2009)

It's always funny when you can compare newer movies to older movies and realize how much more ballsy people used to be. If not in subject matter, certainly in the things they would say to one another. Basically, it's a lackluster remake of a movie that was, despite its fluffiness, far braver the first time around. And I still like the original theme song better. C

Cirque du Freak: The Vampire's Assistant (2009)

Depending on your point of view, this was either a lackluster attempt to cash in on the current (and forever) vampire craze or delightful departure therefrom. While it's not a perfect movie, the relish with which John C. Reilly and Willem Dafoe approach their roles almost makes up for any deficiencies. Yes, it is obviously just a set up for a (yet to materialize) sequel. But it's cute and sweet, and the second act set at the camp is actually the movie's best. If I had to choose which Weitz brother vampire saga adaptation I'd rather watch again, it would be this one. C

Inglourious Basterds (2009)

I need someone to explain to me when and how I turned the corner on Quentin Tarantino. It's not like I didn't like him before just to be contrary. I have tried, several times over, to watch Pulp Fiction and the apparently underrated Jackie Brown. I have never successfully sat through either one once. But man, do I groove on Death Proof (though not the full director's cut) and now Inglourious Basterds. It seems weird to compare them, but I'll do it anyway: despite the massive, obvious differences, Basterds has got the same joyous, freewheelin' vibe and man on a mission plotting as Fantastic Mr. Fox. I bet a double bill, if you've got the stomach for both, would make for one helluva night. Though it's overly and unnecessarily long, it's also well-acted and well-plotted. Who knew revisionist history could be so fun? B+

Aside from a movie title-less Bytowne ticket stub from Sunday, January 10, thus concludes by 2009 clean up. Hurrah! On to the top 10.