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Writer-director Richard Curtis, who was also responsible for the adorable moppet and ragtag crew of Love Actually*, has a knack for gathering delightful British comedians (and one notable American) and letting them have at it. It's a good thing, too, as there's otherwise nothing striking in his direction or his script.
The notable American is, of course, Philip Seymour Hoffman. The Count is very similar to what I like to imagine Hoffman is like in real life (there are also similarities to his character in Almost Famous), and he's also responsible for the movie's only real emotional moment.
Pirate Radio the kind of movie that's exceedingly pleasant to watch, the kind that you put on when you're bored or in need of a little cheering up. There are worse things to be. C+
*I constantly want to put a comma between those words. What is that?
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