Thursday, January 10, 2008

I saw . . . this: the Hepburn/Stewart edition

Stage Door (1937)

This is sort of a strange picture in that a lot of the plot revolves around what is or isn't happening with Kay Hamilton (Andrea Leeds) at any given moment, yet she has very little screen time compared to top billed stars Katharine Hepburn and Ginger Rogers. Set a boarding house, the Footlights club, occupied young women all jockeying to find a role, any role, on Broadway, the house is thrown off balance when an heiress (Hepburn) decides to try her hand at the theatre. Naturally, everyone hates her until the last possible second when a personal tragedy transforms her into a great actress. What I liked best about Hepburn's character (and the movie) was that she was awesome only when no one was around to see it. Other than those moments, as fun as it is see a bunch of young actresses early in their careers (notably Lucille Ball), it's more of a diversion than a classic.

The Philadelphia Story (1940)

Now this is a classic and with good reason. Minus two remarkably sexist scenes, it's the story of a woman (Hepburn, as you well know) who finds herself days away from wedding number two, struggling to find someone who will love her instead of putting her on a pedestal. She almost finds it with a visiting reporter (James Stewart), but, in the end, love is waiting for her with husband number one (Cary Grant). Hepburn rode the success of this Broadway smash all the way back to Hollywood, and she plays the hell out of this role. I'm not as familiar with Grant's work compared with the other two leads, and I admit that I found myself wondering what the big deal about him is, especially given that after Stewart's "hell fires and holocausts" monologue, that's the one I would have chosen. Still, Grant grew on me as the film rolled. By the time he's pulled his legs up on the chair like a child and giggling, I was hooked. When Tracy finally promises to be yar and Dexter replies, "Be whatever you like," it's impossible not to smile, teary-eyed. One of the sweetest, most charming, and utterly clever movies you will ever see in your life.

The Shop Around the Corner (1940)

As fantastic as Stewart is in the above, it's more Hepburn's movie. Shop here, while it may be a romantic comedy about a relationship conducted by letters between Alfred Kralik (Stewart) and Klara Novak (Margaret Sullivan) who also happen to have a work relationship filled with animosity, it's Stewart's movie. In a lot of ways, it's a movie about a young man getting his life together that just happens to involve an anonymous, amorous pen pal. Whether he's threatening a punch in the nose or explaining the subtle joys of an unopened envelope, he never ceases to amuse or charm, much like the movie itself. Although, I must confess, it's a toss up between Pepi (William Tracy) and Pirovitch (Felix Bressart) for funniest character. This movie is a gem well worth checking out.

Now if only someone could explain to me what all those Americans were doing in Budapest in the first place.

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