I see you, and I raise you Caché, an opening sequence so initially banal that the static cam slowly induces the squirming uncomfortable feeling that lays oppressively over the rest of the film.
I haven't seen many, but the first three put a smile on my face.
I'm not sure what to make of this. It could end up being great.
I mostly agree, although I take slight umbrage with No. 5. It's a good thing that this looks so delightful, though.
I ♥ Bret.
I know this isn't the first nor will it be the last, but I really like what Noel Murray has to say after the deaths of Antonioni and Bergman on Monday.
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